Discover the Typography Inspiration N°35 !
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Typography Inspiration N°35 !

Making logo is always challenge for every designer, in this post i have collected some of most creative logo designs for learning. I am sure this collection help you to become more creative in your next logo design task. This post is part of my daily series of posts showing the most Inspired Graphics on internet. These inspired graphics were selected by me and some of my blog users. This post includes Photoshop, Graphics Design, Web Design, 3D Characters, Animation, Fine-Arts, Drawing, paintings and much more for your inspiration.



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60 Creative and Brilliant logo designs for your inspiration

Triboro is the husband and wife team of David Heasty and Stefanie Weigler, creates design solutions for clients in publishing, art, fashion, music, lifestyle, and for cultural institutions.

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Type design for New York Magazine by Triborodesign

Audi is known for their four-wheel drive prowess, with the Quattro mentality embodied in their very logo. But at yesterday’s Worthersee AutoNews 2012 show in Austria, they pulled the sheets off of a two-wheeled creation: Their lithium-ion-battery-powered E-bike Worthersee concept.

We’ve seen automakers design bicycles to tuck in the trunk before, but this one isn’t intended as a crunchy green adjunct to driving; instead it’s meant to be an unabashed display of Audi’s design and technology prowess. They make no bones about the fact that the bike is intended for “sport, fun and tricks,” which explains why the thing produces more torque than my VW Golf did and has a top speed of 50 freaking miles per hour.

The Audi e-bike Worthersee combines the Audi brand’s principal competences – design, ultra, connect and e-tron—and explores the limits of what is technically feasible in terms of design, lightweight construction, networking and electric mobility. The ultra-light carbon-fiber frame weighs only 1,600 grams (3.53 lb). It makes use of bionic principles derived from nature. Material reinforcements are needed only at the points where loads actually occur. The swinging arm for the rear wheel is also made of CFRP. All in all, the Audi e-bike Worthersee represents the full extent of the brand’s expertise in ultra-lightweight design.

The bike has three levels of power: You can either provide all of the juice by pedaling, provide some of the juice with the electric motor taking up the slack, or have the electric motor do all the work. Beyond that are two somewhat bizarre-sounding “Wheelie” modes, where you’re meant to tip the bike back on its rear wheel and ride it like a Segway, with the motor taking care of the balance and braking or accelerating when you lean forwards or backwards.

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Audi’s Crazy Fast Trick Bike

Appropriately, I NEED A GUIDE is a well-compiled Japanese-based guide to art, photography, architecture and contemporary culture. The artists they introduce are fantastic, and their website is very simple to navigate.

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I Need a Guide: a daily style directory

OMOMMA is a handmade and digital craft studio started by Daijiro Ohara. The studio is focused on graphics, typography, editorial projects and workshops. His handwritten typography is especially wonderful and sometimes poetic. He will turn almost anything into beautiful stationery.

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OMOMMA: a digital craft studio founded by Daijiro Ohara

Page 1: Great Expectations is an unusual typographic experiment orchestrated by GraphicDesign& to explore the relationship between graphic design, typography and the reading of a page.

70 international graphic designers were tasked with laying out the first page of Great Expectations by Charles Dickens, each contribution accompanied by a short rationale explaining the designer’s decision-making process.

Contributors include: Phil Baines, Tony Chambers / Wallpaper*, William Drenttel and Jessica Helfand / Winterhouse, Experimental Jetset, Fraser Muggeridge studio, KarlssonWilker, Spin, Robin Kinross, Ellen Lupton, Luke Hayman / Pentagram, Morag Myerscough, Erik Spiekermann, Sam Winston and many more…

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GraphicDesign&

Some recent design work from behance student profile

www.behance.net/leemoonandesign

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Student Graphic Design Work

If you are a logo designer or simply love corporate identity make sure to check today’s collection of amazing logo designs. You’ll be able to see several styles – from simple / clean logos all the way to complex ones. I am sure there is something for everyone. My favorite ones are: Heavenly pie by Oliver Akos, Rockslide by Malicho and Neanet by Contactme. Enjoy!

More logo designs here

More logo designs here

More logo designs here

More logo designs here

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Beautiful Logo Design Collection

As a refresher, from this January’s post on TV Land: “Launched in 1996 and originally part of a Nickelodeon programming block called Nick at Nite, TV Land is a cable television channel aimed (according to owner MTV Networks) at the 40- to 50-year-old with a blend of original programming, classic and contemporary television series acquisitions, and movies.” What has changed in the last five months since I last wrote about the on-air look of TV Land is the development of more original programming, bringing their total to five shows, and they also seem to be gunning for a slightly younger audience. Last week, TV Land introduced a new logo and on-air package designed by sixth-year collaborator Trollback + Company and new mnemonic and theme by CORD Worldwide.

Logos introduced in 1996, 2001, and 2009.

For the first time since the launch of the network 16 years ago, TV Land is unveiling a new and re-imagined logo plus re-designed on-air packaging and graphics, it was announced today by Larry W. Jones, president, TV Land. Gone is the logo with a classic TV screen and retro style. Instead, beginning Wednesday, May 9, viewers will see a fresh mark with a nod to the channel’s roots, a change that reflects the evolution of the network itself.
— TV Land Press Release

The goal for the logo was to lose the retro feeling and make it more modern while maintaining TV Land’s heritage. Creative Director Anna Minkkinen explains the strategy, “The new horizontal logo locks up with type neatly, allowing us to constantly reinforce the brand connection between the network and the shows.”
— Trollb?ck + Co Press Release

It fascinates me that TV Land is so attached to the atomic TV shape they have been using for 16 years — it was memorable and relevant with the channel’s launch and early evolution but now it’s just a visage of something that used to make sense. If ever there was a chance to let go, it was now. The shape in the new logo is barely there, now almost unrecognizable if you don’t know what it is or where it came from. Not only is it not gone, it’s there twice! But let’s assume the channel’s viewership and ability to generate well-received scripted series would collapse if the shape wasn’t there: the logo is okay. “TV” sits nicely inside the shape, Gestalt-ingly completing it. Then, “land” has grown rather large creating a somewhat strange small caps wordmark that doesn’t exactly work out, since the thickness of “land” is lighter than “TV” but not by much, and I wonder why it wasn’t just equalized. I don’t think the logo is the successful “re-imagination” the releases tout; it simply looks like one more evolution trying to hold on to something that I don’t think has that much value anymore. Luckily, Trollb?ck + Co has once again done what Trollb?ck + Co does best: develop a catchy, happily contagious on-air package — I tell you, you could give them the word “potato” typeset in Helvetica and they would find a way to package it as the most exciting thing. The new on-air package brings to life the logo and highlights the new cast of characters with a great color scheme and the fun, whistle-y theme. I liked the last on-air system better, but this one still saves the logo too.

On-air montage. “The shooting style,” explains Trollback + Co, “was also designed to express a fresh, dynamic energy. By using diverse talent shots and juxtaposing punchy imagery, the team was able to set a bold, fun tone against a rich color palette.”

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TV Land: Time to Let Go