Typeface: Gotham Bold Sure, Kim Hastreiter knows her typography, but how did she manage to so accurately foresee a top-secret font release not scheduled for another hundred years? —JH
Typeface: Gotham Bold
Sure, Kim Hastreiter knows her typography,...
Continue reading »
Harry Beck’s map of the London Underground is one of those seminal information graphics that has come to define an entire category. It must be as widely recognized as Mendeleev’s design for the periodic table of the elements; it’s surely...
Continue reading »
Historically minded typographical visitors to London sometimes go to the churchyard of St Luke’s in Old Street, about a mile to the north of St Paul’s Cathedral, a public space with some tall plane trees and a single free-standing 18th-century tomb...
Continue reading »
A visit to Shorpy inevitably lasts the rest of the day. This tremendous archive of hundred-year-old photos has much to recommend it to anyone interested in period typography: the optimistic lettering of the New Deal is well represented, and there’s...
Continue reading »
The arrival of a new year means it’s time for a new Pentagram Calendar. We’ll forever be partial to the 2006 edition, for which Pentagram commissioned us to design twelve new fonts of numbers ; we subsequently added three additional styles,...
Continue reading »
It’s hard to begrudge the polish and flexibility of a good pixel, but I’ll always have a soft spot for the earlier technologies. Mechanical and electronic displays with fixed images were somehow knowable in a way that screens are not, lending...
Continue reading »
I’ve yet to meet a designer that didn’t have a thing for cartography . In any medium (to this day, maps are printed, engraved, drawn and painted) cartographers have to be excellent and inventive typographers, and mapmaking has given typography...
Continue reading »
If there’s one thing that says Gotham Fabulous, it’s rhodium-plated silver with a hit of CZ.
If there’s one thing that says Gotham Fabulous, it’s rhodium-plated silver with a hit of CZ. Sara found these Initial Pendant Necklaces...
Continue reading »
Every design studio has at least one of Edward Tufte’s books. They’re traditionally distributed during the sacred initiation ceremony through which one becomes a Graphic Designer: a cloaked celebrant makes the sign of command-option-escape...
Continue reading »
Much nattering takes place on this blog about the distinction between lettering (letterforms rendered for a particular situation) and fonts (sets of type designed for reproduction.) Edible lettering is an ancient tradition , but edible fonts may be something...
Continue reading »